Pagina nueva 4

Adolescence Mokushiroku poseé una de las más extraordinarias bandas sonoras para una película animada; tal distinción estriba en las particularidades que su música presenta, alejada de los canones tradicionales en cuanto a animación japonesa se refiere.

	J.A.SEAZER (Compositor) & SHINKICHI MITSUMUNE (Compositor)	OIKAWA MITSUHIRO (Cantante - Actor)	MASAMI OKUI (Cantante)

LOS DOS CREADORES DE LA MÚSICA EN ADOLESCENCE MOKUSHIROKU.

Shinkichi Mitsumune y J.A.Seazer son los dos encargados de la banda sonora de Adolescence Mokushiroku. Ambos trabajarían juntos en 1996 con la serie de televisión Shoujo Kakumei Utena. Mitsumune es el responsable de las piezas instrumentales, mientras que J.A.Seazer compuso los extraordinarios Coros de Duelo que hiciera famosa a la serie y que repetiría su fórmula para la película.

Shinkichi Mitsumune es uno de los compositores de música para anime más reconocidos en su género, junto con Yoko Kanno, Hajime Mizoguchi o Testuya Komoro. Sus trabajos más sobresalientes se encuentran en Shoujo Kakumei Utena y Furi Kuri.

La fórmula de Mitsumune para la música instrumental de Adolescence Mokushiroku es esencialmente la misma que para la serie de TV: música influenciada en jazz, de corte afrancesado, y numerosas piezas de inimaginable sensualidad. Numerosas ejecuciones en piano, violín y saxofón.

Por su parte, J.A.Seazer es el autor de los Coros de Duelo de Shoujo Kakumei Utena, que no son sino canciones interpretadas por el grupo Banyu Inryoku Engeki Jikkenshitsu (Drama Laboratory Universal Gravitation), famosa asociación teatral de danza y música contemporánea, o performance, dirigida por éste compositor.

Seazer es uno de los íconos culturales de la sociedad japonesa de la década de los 70's y 80's. Es uno de los compositores más radicales de su época, e imprime una notoria y estrambótica forma de pensar en sus composiciones.

Seazer dirige las puestas en escena de su grupo teatral, que en varias ocasiones han interpretados obras escritas y planeadas por el famoso director cinematográfico Shuji Terayama, reconocido por sus cintas de carácter artístico tragico-erótico.

El trabajo de J.A.Seazer para Be PAPAS comienza en 1996 cuando el director Ikuhara lo invita a participar en el proyecto, conocedor de sus aptitudes y de sus aportaciones. De ésta manera, se consolidaría una unión en la que Seazer regresaría a los foros televisivos desde hace ya más de 10 años de ausencia.

Entre los trabajos más interesantes de J.A.Seazer se encuentran las puestan en escena Automatos (1993) y Darwin (1995), donde se tratan temas tales como la evolución, la existencia del hombre sobre la máquina, la superioridad del hombre sobre las otras formas de vida, la divinidad, el juego del bien y el mal, Lucifer, entre otras cuestiones filosóficas, abordadas a manera de performance.

Las composiciones de Seazer para Adolescence Mokushiroku se encuentran compiladas en los OST 6, 7 y 8 de los Soundtracks de Shoujo Kakumei Utena.

UNA NUEVA VOZ Y UNA NUEVA PROPUESTA: OIKAWA MITSUHIRO.

Oikawa Mitsuhiro es quien canta el tema de salida de Adolescence Mokushiroku, llamado Fiancee ni Naritai ("Busco en tí una prometida"). Oikawa es uno de los ídolos del mundo pop japones; Inició su carrera en 1992 con el álbum Morality, y desde entonces ha sacado numerosos sencillos, de los cuales destacan la versión original de Fiancee ni naritai (1996), Wasurete Shimaitai (1997), Miss Abantyuru (1998), Pazuru no Kakera (1999), Crazy a Go Go (2000), y Kokoro no Yami (2001).

Oikawa no es solamente cantante de jpop; también es un reconocido actor de series de televisión; su trabajo más destacado es como el villano de la serie With Love, que se transmite en Japon desde 1995.

Cabe señalar que Oikawa Mitsuhiro nunca había incursionado en el terreno del anime hasta 1999, con Adolescence Mokushiroku. No solamente permitió que su sencillo de 1996 fuera re-adaptado para la cinta, sino que participa dando voz a Ohtori Akio.

Uno de los mayores atractivos que Oikawa ofrece al público japonés, es su singular androginia; impone modas estrafalarias, como lo es usar estolas de plumas, o plataformas de 15 centímetros, por no citar la famosa portada de su disco "The Desire Enclyclopedia" (La enciclopedia del Deseo, 1997), donde se pone de manifiesto lo anterior.

En parte es ésta moda lo que impulsó al Director Ikuhara a invitar a Oikawa Mitsuhiro a participar en su película; es curioso observar como el nuevo diseño de Ohtori Akio está influenciado en la imagen comercial de Oikawa.

La nueva versión de Fiancee ni Naritai se editó en julio de 1999 con arreglos sinfónicos de Shinkichi Mitsumune, eliminando 4 estrofas de la versión original. Dicha melodía no está incluída en ningún álbum de Shoujo Kakumei Utena, y aparece en el DVD del concierto en vivo del cantante, con motivo de la llegada del año 2000, y es con esta canción que abre el show.

CANTANDO PARA LA REVOLUCIÓN: MASAMI OKUI

Masami Okui es una de las cantantes de Jpop que con mayor frecuencia presta su voz para temas de anime y videojuegos; por si fuera poco, la mayoría de sus composiciones son de su propia autoría. King Records es su casa productora.

Actualmente cuenta con alrededor de 6 discos, algunos de ellos compilaciones de sus múltiples sencillos, todos generalmente sonando en series animadas. Uno de sus discos, llamado Best-Est, es una compilación doble de sus éxitos, en vivo.

Ésta cantante ha participado en numerosas series como lo son Slayers y sus correspondientes temporadas, Megami Paradise, Cyber Team in Akihabara, y por supuesto, Shoujo Kakumei Utena.

Masami Okui participa en Adolescence Mokushiroku con 2 temas: el primero es una versión mix del Opening de la serie, y que tiene por nombre Adolescence Rush, Rinbu Revolution; los nuevos arreglos son de Shinkichi Mitsumune y tiene un toque pop-tecno. El segundo tema se llama Toki ni Ai wa (Hay veces que el amor...), y se ha convertido en la Image Song de ésta cinta. Aparece en la película alrededor del minuto 44, y está editada de su versión original.

Las dos canciones que aparecen en Masami Okui han sido, como en el caso de Oikawa Mitsuhiro, que interpreta el Closing Theme, canciones que ya habían sido escritas con anterioridad y que el director Ikuhara decidiera retomar.

LA BANDA SONORA DE ADOLESCENCE MOKUSHIROKU.

Adolescence Mokushiroku cuenta con 2 bandas sonoras; una de ellas es el Soundtrack de la cinta, mientras que el otro es una compilación de canciones alusivas a ésta (Image Songs). Además hay un CD Single que incluye el tema Toki ni Ai wa en versión Full Size y karaoke.

	*SHOUJO KAKUMEI UTENA*	*ADOLESCENCE RUSH* (Shinkichi Mitsumune - J.A.Seazer)		Rose is Rain - Bara Tamago Sosei Roku Scarlettachi no Butou ~ Saikai Bara no Kokuin - Kuuchuu Teien no Hanayome Duellist ~ Yomigaere! Mukyuu no Rekishi "Chuusei" yo Illusion ~ Akui no Sanagi Belladonna no Wana Toki ni Ai wa Akio Enbukyou - Video na Kioku Bara no Rashin -Shura- Nikutai Seiza Alpha Psi Zeta Seiun Abraxas - Hikaru Sasu Niwa Zettai Unmei Mokushiroku - Adolescence of Utena Kessen - Beruzeburu no Oujou Rinbu - Revolution - Adolescence Rush Fiancée ni Naritai - Symphonic Instrumental

SHOUJO KAKUMEI UTENA

UTINAM REVIVISCAT, MEDIUM AEVUM!
(J.A.Seazer - Banyu Inryoku)

Revival Record of Rose Egg
Dice playing Game of Astragarus Earth
History Watch Tower [Letter Desert]
Life's Solitude History of Puchi-all things in the Universe
At the swinging basket in the World Balcony, In the hands of the world
Water Drop that means the Universal Origin
Sea & Moon Die in the Indigo Plant
Absolutely Sexy Temptation [TA-Erotica]
Deforume-Dejyaboo
Reminiscence Performance
Shura - Corporal Constellation aYz Nebula
Draught Angels that we lost ourselves
Revive! Infinite history [Medium Aevum]

SHOUJO KAKUMEI UTENA

REÍNCARNATION NIRVANIENNE
DE LA BELLE-MON ANDRÓMEDE
(Shinkichi Mitsumune - J.A.Seazer - Masami Okui)

En realidad, Réincarnation Nirvanienne de la Belle-mon Andrómede es una compilación de las mejores melodías de la serie Shoujo Kakumei Utena, no de Adolescence Mokushiroku. Sin embargo contiene varios tracks interesantes que no son sino preámbulos a los 2 CD posteriores (Utinam Reviviscat, Médium Aevum! y Adolescence Rush). A continuación se especifican los tracks en cuestión:

1. Zettai Unmei Mokushiroku (Adolescence Cover)

25. Sophia (Karaoke del track 2 de Utinam Reviviscat, Medium Aevum!)

29. Zaite · An · Zaite [The movie flash prelude]

MASAMI OKUI CD SINGLE

TOKI NI AI WA - LABYRINTH
(Masami Okui)

Éste CD Single, que saió a la venta en agosto de 1999, es producido por King Records Co., e incluye 4 tracks, de los cuales 2 corresponden a Adolescence Mokushiroku, y que se mencionan a continuación:

1. Toki ni Ai wa (Full version)

3. Toki ni Ai wa (Karaoke version)

LAS CANCIONES DE ADOLESCENCE MOKUSHIROKU.

ADOLESCENCE RUSH

Toki ni Ai wa (Full Version)

Toki ni Ai wa (Movie Version)

Rinbu Revolution
~ Adolescence Rush

Fiancee ni Naritai
(Adolescence Mix)

Fiancee ni Naritai
(Original Version)

Duellist ~ Yomigaere! Mukyuu no Rekishi "Chuusei" yo
(Kyoichi Saionji Movie Duel)

Bara no Rashin -Shura- Nikutai Seiza Alpha Psi Zeta Seiun
(Arisugawa Juri Movie Duel)

Zettai Unmei Mokushiroku ~
The Adolescence of Utena

UTINAM REVIVISCAT, MEDIUM AEVUM!

Astrogalus Chikyuu Sugoroku

Rekishi Bourou [Moji Sabaku]

Puchi Banshou no Seimei Kodokushi

Sekai Ro Dan no Yurikago de - In the Hands of the World-

Suiteki suna Wachi Banyu Shigen

Kaigetsu Ran ni Shisu

Zettai Kobi Waku - Ta Erotika -

Deforume Dejavyu

Tsuisou no Henshin Fu - Arano Yori -

Shura - Nikutai Seiza Alpha Psi Zeta Seiun

Warerajira o Suteta Datenshi Nari

Yomigaere! Mukyuu no Rekishi "Chuusei" yo

Astrogalus Chikyuu Sugoroku

Track 2 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Chikyuu sugoroku    fune, ashi, kuruma
Seinaru kyuusoku    saikoro ruten
Chikyuu sugoroku   umi, riku, sanka
Seinaru furidashi    saikoro rinne

Danieru sho, mokushi eigou sho, kaiki
“Ware wa ware no tame ni ikazu, ikazu
Sekai no tame ni ware wa iku, iku”

Chikyuu sugoroku    hakugai kikin
Intou, gyakusatsu    saikoro kaimei
Chikyuu sugoroku    teikoku pesuto
Seinaru maou ga    saikoro shinpan

Kamigami-tachi no honshou Ekupiroshisu no honoo
“Ware wa yakitsukusarete mo nao, nao
Sekai no tame ni ware wa iku, iku”

Chikyuu meisu    kobunsho yogen
Banshou eremento    shizen no keiji
Issai no mono wa tada hitotsu
Sore wa
“Waga, ware no, waganaru, waretaru, warenari”
Hitotsu    Hitori    Hitomi    Hitote    Hitoe
Hitona    Hitou    Hitoto

Sore wa sunawachi
Umi no na    Watashi
Riku no na    Watashi
Ten no na    Watashi
Ware no na    Watashi

Watashi watashi
Watashi watashi
Watashi watashi

Watashi Sofia
Watashi watashi watashi Sofia
Watashi watashi Sofia
Watashi Sofia watashi Sofia
wataSOshiwaFItashiA
Watashi Sofia
waSOtaFIshiA

Watashi Sofia
Sofia Watashi

Astrogalus Earth Dice Game

Track 2 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Earth dice game: ship, foot, and vehicle
Holy relaxation, the die’s vicissitudes
Earth dice game: ocean, land, mountains and rivers
Holy draft issuing, the die’s transmigration

Daniel book, apocalypse; perpetuity book, recurrence
“For my sake, I go without reviving, without reviving;
For the world’s sake, I live, I live!”

Earth dice game: persecution and famine
Lewdness, massacre, the die’s darkness
Earth dice game: the imperial pest
The holy Satan is the die’s judgment

The true nature of the Gods, Ecpirosis’s flame
“Myself too, be tempered further, further;
For the world’s sake, I live, I live!”

A prediction in ancient scriptures on the earth’s lifespan
Universal element, natural revelation
Everyone owns only one thing
That is
“Me, mech, moi, mio, mia”
One thing, one person, one eye, one hand, one layer,
One name, secret hot spring, one year

That is, namely,
The sea’s name: Myself
The land’s name: Myself
The sky’s name: Myself
The ego’s name: Myself

Myself, myself
Myself, myself
Myself, myself

Myself, Sophia
Myself, myself, myself, Sophia
Myself, myself, Sophia
Myself, Sophia, myself, Sophia
myseSOlfmyPHIselfA
Myself Sophia
mySOsePHIlfA

I am Sophia
Sophia, that is me

Rekishi Bourou [Moji Sabaku]

Track 3 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés:Ayu Ohseki

Shirobara akabara shouchou tokuchou
Shojo junkyouto no shobutsu, sunawachi, moji

Fukuzatsu kouchi na shouchou, tokuchou
Tanjun junketsu juujika, sunawachi, moji

Aa, eikyuu hyakka
Kakuu no shobutsu “Fishiogurosu”

Waga, higenjitsu chouryou bakko su tsukuri,
moete Shi-shite nao fukkatsu, moji

Itanji ikyou kiseki no souzou
Buinmi, hi’inmi kiwamete shinpi, moji

Aa, fukashigi monogatari
Sorinusu, Puriniusu “Hakubutsushi”

Densetsu kidan shinwa setsuwa
Gensou kuusou zokugaku, sunawachi, moji

Inmujosei danseimuma
XX keishiki XY hen’i, moji

Aa, Foveru monogatari
Vansan “Rekishi no Kagami”

Aa, Homerosu “Odyusseia”
Mandiviru hanshizen no monogatari

History Watchtower [Ideograph Desert]

Track 3 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

White rose, red rose, emblem and distinctive feature
Maiden composition of mass martyrdom, namely, ideograph

Intricate and finely wrought emblem, distinctive feature
Simplicity, integrity, crucifix, namely, ideograph

Ah, an eternal amount of scholastic subjects
Utopian composition, “Physiogros”

Myself, unreality; dominance prevalence; nest structure,
burn! Perish! Further resurrection, ideograph

Heretic child, foreign country, the creation of miracles
Oblivience, inexistence, exceedingly mysterious, ideograph

Ah, the wondrous story
Solinus, Plinius, “Striker Magazine”

Legend, adventure story, myth and narrative
Illusion, daydream, pop music, namely, ideograph

Succubus, incubus
XX form, XY mutation, ideograph

Ah, Fovell’s story
Vansan, the “Mirror of History”

Ah, Homer’s “Odyssey”
Mandiville anti-nature story

Petit Banshou no Seimei Kodoku Shi

Track 4 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés:Ayu Ohseki

Retoruto no soko ni chiisa na sonzai
Kushupodyumee, doragon no kodomo
Kakusei iden no shizen mahou

“Watashi wa koko ni iru
Bibi ga yue ni
Watashi wa koko ni iru”

Yuushi irai no unmei furoku
Misutifikashion no kodomo
Shougai tanjou kurikaesu

“Watashi wa koko ni iru
Bimyou ga yue ni
Watashi wa koko ni iru”

Shukou to
Kiheki to
Henshu to
Kyouhen to

Muchi shiki
Mudou toku
Mukan jou
Mukyou gi

Doukutsu Rudorufu Rabirintosu
Junsui shikou no ryouiki de
Doukutsu Rudorufu Rabirintosu
Shi-teki souzou no ryouiki de
Doukutsu Rudorufu Rabirintosu
Fu-teki jikken no ryouiki de
Doukutsu Rudorufu Rabirintosu
Shinri chinmoku no ryouiki de

Furajioretto no ne-iro ni
Matagari, tokete kuuki ni nari nagara

“Watashi wa koko ni iru
Suiteki gekijou no iki
Puchi opera no suijouki ni to nari nagara”

Sorichuudo
Iesu
Kodoku kodoku kodoku kodoku......

The Petit Universe’s Soul Solitary Chronicle

Track 4 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

A small existence in Retort’s base
Couspeau Deume, child of the dragon
The natural magic of atavism

“I live here!
Because I am minute,
I live here...”

The destiny appendix since the time of the dawn of history
Child of mystification
The living shore’s birth repeats

“I live here!
Because of my delicacy,
I live here...”

A plot,
An eccentric habit,
A mutation,
A mad rush,

Ignorant knowledge
Tyrannical virtue
Callous compassion
Faithless justice

Cavern Rudolf Labyrinth
In the realm of pure contemplation
Cavern Rudolf Labyrinth
In the realm of poetic creation
Cavern Rudolf Labyrinth
In the realm of negative experimentation
Cavern Rudolf Labyrinth
In the realm of psychological silence

Subtenancy in the tone colour of a flageolet
Notwithstanding the departure into a dissolved atmosphere

“I live here!
The breath of the Waterdrop Theatre,
Notwithstanding the departure into a petit opera’s water vapour...”

Solitude
Is
Isolation, loneliness, solitude, kodoku......

Sekai Tsuyu Dan no Yurikago de
—In the Hands of the World—

Track 5 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés:Ayu Ohseki

Naze shukumei no ai to nikushimi
Naze unmei no satsuriku, muzan
Tenmei ima da sugata misezu
In za hanzu obu za waarudo

Naze shukumei no nadzuke, kazoku
Name unmei no fuzai, kodoku
Tenmei ima da sugata misezu
In za hanzu obu za waarudo

Shinu yori tsurai unmei seoi
Tomaru mo dekinu toki no nagare ni
Anata to watashi wa sudeni inai no subete
Nanoni ikidzuku toki no nagare ni

Naze shukumei no tanjou, houtou
Naze unmei no shisen jinsei
Tenmei ima da sugata misezu
In za hanzu obu za waarudo

Naze shukumei no wasururu shizen
Naze unmei no jikan sabaku
Tenmei ima da sugata misezu
In za hanzu obu za waarudo

Kokyuu no yurikago banbutsu senri
Tomaru mo dekinu toki no nagare ni
Undou, ryuudou sunawachi mudou
Nanoni ikidzuku toki no nagare ni

Aa, sekai no te no hira no ue ni
Warera ga kodoku, iku-ban’yuu
Tada sono toki wo
Tada sono shunkan wo
Tada matsu dake no
Tada machi nagara
Tada matte-iru

In za hanzu obu za waarudo
In za hanzu obu za waarudo

In the World Mortality Altar’s Cradle
—In the Hands of the World—

Track 5 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Why the love and hatred of fate?
Why the slaughter of destiny, cruelty?
Without showing its form, Heaven’s decree is now
In the Hands of the World

Why the christenment of fate, family?
Why the absence of destiny, isolation?
Without showing its form, Heaven’s decree is now
In the Hands of the World

The burden of destiny which is harsher than dying
It stops, too, in the flow of inactive time
You are I are already the everything of nothing
Despite our breathing in the flow of time

Why the birth of fate, prodigality?
Why destiny’s death line of human lives?
Without showing its form, Heaven’s decree is now
In the Hands of the World

Why the forgotten nature of fate?
Why the periodic desert of destiny?
Without showing its form, Heaven’s decree is now
In the Hands of the World

The cradle of breath, All Things over a long distance
They, too, stop in the flow of inactive time
Movement, circulation, in other words, inaction
Despite our breathing in the flow of time

Ah, on the surface of the world’s palms
We are isolated in several universes
Only through that time
Only through that moment
Only just waiting
Only during waiting
Only waiting

In the Hands of the World
In the Hands of the World

Suiteki Sunawachi Ban’yuu Shigen

Track 6 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Don Ki Dijii Dandan
Don Ki Dijii Dandan

Mienai jikan no meiro
Arazaru mo samazama no mirai
Jikan wo imi-suru kotoba ni
Nazo no nazotoku “Bara no Sono”

Muchi mata wa boukyaku se yo to
Kuujakukyou no imi ga sasayaku
Buinmi na fushi ni nogareru na
Shinjitsu nonde chie ni yoe

Don Ki Dijii Dandan
Don Ki Dijii Dandan

Jikan wa itsumo tomatteru
Chouzen ereba banbutsu no
Kaginaru kotoba wo shiru to iu
Ami no me jikan wa tomatte iru

Muchi mata wa boukyaku se yo to
Kuujakukyou no toki ga sasayaku
Tsumetai sabaku no uteki-re ni mo
Koukotsukan ni mi wo sarase

Don Ki Dijii Dandan
Don Ki Dijii Dandan

Shounyuudou ni hibikiwataru
Obitadashii sono onkyoku ga
Sekai no ban’yuu seimei shigen
Nazo, himitsu, meikyuu kigen

Muchi mata wa boukyaku se yo to
Kuujakukyuu no mizu ga sasayaku
Shougai seinaru muchitsujo wa
Dentou, iden wo honomekasu

Don Ki Dijii Dandan
Suiteki Sunawachi Ban’yuu Shigen
Don Ki Dijii Dandan
Suiteki Sunawachi Ban’yuu Shigen
Don Ki Dijii Dandan
Suiteki Sunawachi Ban’yuu Shigen
Don Ki Dijii Dandan
Suiteki Sunawachi Ban’yuu Shigen

A Waterdrop, Namely the Universal Inception

Track 6 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Don Ki Dijii Dandan
Don Ki Dijii Dandan

The labyrinth of the invisible period
Also subsisting are the future of circumstances
In words that imply a period
Mysterious riddle-solving “Rose Garden”

“Forget ignorance again!”
Doth whisper the Valhallan significance
To escape oblivient immortality,
Drink in truth, be drunk with knowledge!

Don Ki Dijii Dandan
Don Ki Dijii Dandan

The period is always halting
If transcendentalism is achieved, it is All Creation
Saying, “I know the locked words!”
The netting’s retinal period will halt

“Forget ignorance again!”
Doth whisper the Valhallan time
In the freezing desert’s raindrops, too,
Expose the rapturous feeling in the body!

Don Ki Dijii Dandan
Don Ki Dijii Dandan

Resounding all throughout the limestone cave
That echo is immense
The world’s universal soul inception
Mystery, secret, the start of the maze

“Forget ignorance again!”
Doth whisper the Valhallan water
Holy chaos as a career is
Tradition, alluding to heredity

Don Ki Dijii Dandan
A Waterdrop, Namely the Universal Inception
Don Ki Dijii Dandan
A Waterdrop, Namely the Universal Inception
Don Ki Dijii Dandan
A Waterdrop, Namely the Universal Inception
Don Ki Dijii Dandan
A Waterdrop, Namely the Universal Inception

Kaigetsu Ai ni Shisu

Track 7 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Enkin shide no tabiji
Watashi kaze ni naru
Watashi iki ni naru
Watashi kou jouki ni naru

Yoru no umi, tsuki, nami
Sono fukaki ai ni mukau

Shinigami shisou no shirushi
Watashi kaze ni naru
Watashi iki ni naru
Watashi kou jouki ni naru

Yoru no umi, tsuki, nami
Sono fukaki ai ni mukau

Suisei-mushi to wa ie
Semarikuru shi no kage ni
Toumei reikon shitagaeta
Ushinawareshi toki ga yoru no soko yori
Gekkou sanzan fujou-suru

Nosutarujikku na shizen meisou
Keijijougaku-teki kankaku
Shinra-banshou, ban’yuu kanshou
Shin’ya umidzuki
Panorama kaanivaru

Namidzuki, yorudzuki, yumedzuki, tokidzuki
Kazedzuki, ikidzuki, yoidzuki, yomidzuki
Mangetsu, hangetsu, akadzuki, aodzuki
Shitsugetsu, kagedzuki, naidzuki, funodzuki

Aa, mikadzuki gesshoku

Tsuki, tsuki, tsuki, tsuki, tsuki, tsuki, tsuki, tsuki
Tsuki, tsuki, tsuki, tsuki, tsuki, tsuki, tsuki, tsuki

Tsune ni on no ite yuku
Kyousou na hodo ni junsui na
Kindan no tsuki tobira sono shoumen ni tachi
“Ima, hirahi kan!”

Watashi wa nami ni naru
Watashi wa yami ni naru
Watashi wa umi terashi
Watashi wa tsuki ni naru

“Tsuki-suru    tsuki ni suru
tsuki wa umi no ue ni nobotta
Nami-suru mono no ushiro kara    jouhou ni
sore wa    tsuki-shita”

Mementomori mentomori ntomori tomori mori ri
Hotaru tsuki Watashi shi wo omou
Mementomori mentomori ntomori tomori mori ri
Yakouchuu tsuki
Watashi shi wo omoe

“Tsuki yo, tomare!”

Nattemo nami ni mo
sonzai-shinai sonzai
Nattemo umi ni mo
sonzai-shinai sonzai
Nattemo tsuki ni mo
sonzai-shinai sonzai
Sonzai shinai sonzai
Sonzai shinai sonzai
Shinai sonzai
Shinai sonzai
Shinai sonzai
Shinai sonzai
Shinai sonzai
Shinai sonzai

Oceanic Moon, Dying into Indigo

Track 7 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Perspective, the journey to the next world
I will become a breeze
I will become a breath
I will become a will-o’-wisp

The night ocean, moon, waves
Those profundities shall proceed to indigo

Thanatos—the mark of the shadow of death
I will become a breeze
I will become a breath
I will become a will-o’-wisp

The night ocean, moon, waves
Those profundities shall proceed to indigo

Dreaming one’s life away is just as well
The imminent shadow of death was
Accompanied by a transparent ghost
The lost time is deeper than the night’s submarine depths
The moonlit brilliance rises to the surface

Nostalgic nature meditation
Metaphysical sensation
All Creation, universe contemplation
Deep night, oceanic moon
Panorama carnival

Wave moon, night moon, dream moon, time moon
Breeze moon, breath moon, drunken moon, sheol moon
Full moon, half moon, red moon, blue moon
Erroneous moon, shadow moon, no moon, bad moon

Ah, crescent moon lunar eclipse

Moon, Moon, Moon, Moon, Moon, Moon, Moon, Moon
Moon, Moon, Moon, Moon, Moon, Moon, Moon, Moon

Continual distance’s walking existence
The pure, forbidden lunar door exists in a fantastic degree
In that frontage is departure
“Now, open the door!”

I will become the Waves
I will become the Darkness
I am the Ocean Illuminated
I will become the Moon!

“To lunacize, lunacizing,
the Moon rose over the surface of the ocean
From the undulator’s void, in the upper segment,
that was lunacized”

Memento mori, mento mori, nto mori, to mori, mori, ri,
Firefly Moon I do realize death!
Memento mori, mento mori, nto mori, to mori, mori, ri, Phosphorescent Animalcule Moon
Ego, realize death!

“Stop, Moon!”

Even when changing, the Waves also hold
nonexistent existence
Even when changing, the Ocean also holds
nonexistent existence
Even when changing, the Moon also holds
nonexistent existence
Nonexistent existence
Nonexistent existence
Unmoving existence
Beginningless existence
Egoless existence
Emotionless existence
Unattainable existence
Deathless existence...

Zettai Kobi Waku “Ta Erotika”

Track 8 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés:Ayu Ohseki

Erotika Aeria Raeria Kurisupisu
Orugia Renkin

Tsuki Taiyou Hikari Kage Dyuarizumu sonzai
Ribidoo Purazuma

Aeria Raeria Kurisupisu
Orugia Renkin

Kikagaku Seishoku Arupedo Shinpi
Ribidoo Eniguma

Sousei soukan
banbutsu kougou
Subete ga hitotsu no zettai yokubou Sorutio

Erotika
Aeria Raeria Kurisupisu
Orugia Renkin

Erosu bi wo kisou Tanatosu genri
Ribidoo Nat’ura

Aeria Raeria Kurisupisu
Orugia renkin

Seinaru honnou tenchi kaibyaku izen
Ribidoo Aatoman

Bi yue kogareru Apuroditee
Hitotsu ni tokeau zettai kobi waku
“Ta Erotika”

Aeria Raeria Kurisupisu Orugia Renkin
Aeria Raeria Kurisupisu Orugia Renkin
Aeria Raeria Kurisupisu Orugia Renkin
Aeria Raeria Kurisupisu Orugia Renkin
Aeria Raeria Kurisupisu Orugia Renkin
Aeria Raeria Kurisupisu Orugia Renkin

Absolute Flattering Delusion “The Erotica”

Track 8 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Erotica Aeria Laeria Crispis
Orgia tempered steel

Moon Sun Light Shadow Dualism existence
Libido Plasma

Aeria Laeria Crispis
Orgia tempered steel

Geometry Procreation Arped Mystery
Libido Enigma

Creation of the world, phase wickedness;
one tenth of All Creation
Everything is one’s absolute desire: Sortio

Erotica
Aeria Laeria Crispis
Orgia tempered steel

Eros: the flattery-emulating Thanatos principle
Libido Natura

Aeria Laeria Crispis
Orgia tempered steel

Holy instinct, before the creation of heaven and earth
Libido Atman

Pining for flattery, Aphrodite
The absolute flattering delusion dissolved into one,
“The Erotica”

Aeria Laeria Crispis Orgia Tempered steel
Aeria Laeria Crispis Orgia Tempered steel
Aeria Laeria Crispis Orgia Tempered steel
Aeria Laeria Crispis Orgia Tempered steel
Aeria Laeria Crispis Orgia Tempered steel
Aeria Laeria Crispis Orgia Tempered steel

Deforume Dejavyu

Track 9 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés:Ayu Ohseki

Konton sousou shouchou no shu
Gensho genryuu koujin no shu
Kuunaru busshitsu

Reika gensou toumei no shu
Housoku nashi no, saibou no shu

Guuzen yuugou bouchou no shu
Henkei jizai seimei

“Doko demo    watashi ari
Soko ni mo    watashi iru
Nanni demo    watashi nari”
“Hajime ni    watashi ari
Ima demo    watashi iru
Anata ni mo    watashi nari”

Chinden hishou souzou no shu
Shoudou hatoku zoushoku no shu
Hirika na kasetsu

Rankatsu fukusei kongou no shu
Gokubi tekimushi genshou no shu

Bunri setsuzou dokuritsu no shu
Shiranu kioki rekishi

“Meru meru meru watashi ari
Kyana kyana kyana watashi iru
Yuuno yuuno yuuno watashi nari
Tyuyo tyuyo tyuyo watashi ari
Yoya yoya yoya watashi iru
Mena mena mena watashi nari”

Aa, tabuu nashi
Koutou    boutan    sunawachi mukei no
Ikidzuku dake no sugata nashi
nashi    nashi    nashi    nashi
nashi    nashi    nashi    nashi

Meruka nayunotosu yoyame na meyayo sutonoyuna
karume, karume
Meruka nayunotosu yoyame na meyayo sutonoyuna
karume, karume
Meruka nayunotosu yoyame na meyayo sutonoyuna
karume, karume
Meruka nayunotosu yoyame na meyayo sutonoyuna
karume, karume
Karume karume karume karume karume

Deforume dejavyu, Deforume dejavyu,
Deforume dejavyu, Deforume dejavyu,
Deforume dejavyu, Deforume dejavyu,
Deforume dejavyu, Deforume dejavyu,
Deforume dejavyu, Deforume dejavyu,
Deforume dejavyu, Deforume dejavyu,
Deforume dejavyu...

Déforme Déjà Vu

Track 9 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Chaos, double pair, symbolic seed
The Beginning, origin, particle seed
Empty substance

Beautiful flower, illusion, transparent seed
Without laws, cellular seed

Fortuity, fusion, growing seed
Metamorphosis, free soul

“No matter where, I existed;
There, too, I do live;
No matter what, I will become!”
“In the beginning, I existed;
Even now, I do live;
Into you, too, I will become!”

Sedimentation, flight, creation’s seed
Impetus, deflowerment, propagating seed
Incompetent outside commentary

Egg division, hermaphrodite, compounded seed
Microscopic, water-bug, phenomenal seed

Division, conjointment, independent seed
Unknown memory: history

“Mell mell mell, I existed;
Kana kana kana, I do live;
Yuno yuno yuno, I will become!
Twoyo twoyo twoyo, I existed;
Yoya yoya yoya, I do live;
Mena mena mena, I will become!”

Ah, without any taboos!
Absurdity, falsehood, in other words, without
A nonsensical form that only breathes!
None! None! None! None!
None! None! None! None!

Amrak anuy enots oyayem nan meyayo stone yuna
karma, karma
Amrak anuy enots oyayem nan meyayo stone yuna
karma, karma
Amrak anuy enots oyayem nan meyayo stone yuna
karma, karma
Amrak anuy enots oyayem nan meyayo stone yuna
karma, karma
Karma karma karma karma karma

Déforme Déjà Vu, Déforme Déjà Vu,
Déforme Déjà Vu, Déforme Déjà Vu,
Déforme Déjà Vu, Déforme Déjà Vu,
Déforme Déjà Vu, Déforme Déjà Vu,
Déforme Déjà Vu, Déforme Déjà Vu,
Déforme Déjà Vu, Déforme Déjà Vu,
Déforme Déjà Vu...

Tsuisou no Henshin Fu
«Arano Yori»

Track 10 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés:Ayu Ohseki

Furuete iru no wa, chi no ikioi ka
Soretomo mukashi, senshi datta sei ka

Shizunde iru no wa, kokoro no kyuusoku
Soretomo mukashi, ushinatta sei ka

Kaze ga yobu sono na wo shire to
Watashi no na no kage ni aru
Tadashiki na wo shire to

Mitsumete iru no wa, ashita he no chikai ka
Soretomo mukashi, shu ni tsukaeshi sei ka

Kurushinde iru no wa, yowasa no tame ka
Soretomo mukashi, tozasareta sei ka

Kaze ga yobu sono na wo shire to
Watashi no na no naka ni aru
Tadashiki na wo shire to

Michi wa aru
Hatenaku mo, mijikaku mo
Daga, doko ni mo michishirube wa nai
Tada, zenshin no mi ga, shiru tame da
Waga, tadashiki na wo shiru tame da
Sono tadashiki na wo shiru tame ni
Ike!

Yonde iru no wa, rekishi no iki ka
Soretomo mukashi, ikite ita akashi ka

Waga wo yobu mono no koe ga suru
Haruka mukashi yori, yobu koe ga suru

Kaze ga yobu sono na wo shire to
Watashi no na no hate ni aru
Tadashiki na wo shire to

Michi wa aru
Hatenaku mo, mijikaku mo
Daga, doko ni mo michishirube wa nai
Tada, zenshin no mi ga, shiru tame da
Waga, tadashiki na wo shiru tame da
Sono tadashiki na wo shiru tame ni
Ike!

Reminiscence’s Metamorphosis
«From the Wilderness»)

Track 10 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Trembling it is, the vigour of blood?
Or perhaps long ago, the life of a soldier gone?

Sinking it is, the heart’s relaxation
Or perhaps long ago, the lost life?

The wind calls out, “Know that name!
“Subsisting in the shade of my name,
“Know the true name!”

Beholding it is, an oath towards tomorrow?
Or perhaps long ago, a chiefly servile life?

Suffering it is, for the sake of weakness
Or perhaps long ago, the life which was locked away?

The wind calls out, “Know that name!
“Subsisting in the midst of my name,
“Know the true name!”

The path is there
Endlessly, and briefly
However, nowhere is there a milestone
Only, the body of progress is for the sake of knowing
Ego, for the sake of knowing the true name
For the sake of knowing that true name,
Go forth!

Naming it is, the breath of history?
Or perhaps long ago, the vindication which had lived?

The voice of the one who invokes ego does so
From the distant long ago, the invoking voice does so

The wind calls out, “Know that name!
“Subsisting at the ends of my name,
“Know the true name!”

The path is there
Endlessly, and briefly
However, nowhere is there a milestone
Only the body of progress is for the sake of knowing
Ego, for the sake of knowing the true name
For the sake of knowing that true name,
Go forth!

Shura
- Nikutai Seiza Alpha Psi Zeta Seiun -

Track 11 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés:Ayu Ohseki

Shura ima, moen
Te no ashi no kodou ni
Shura ima, atsuku
Owari shiranu, mama ni

Kuraki “saraba”
Utsushimi nugi
Kouyami ni fuki
Kokuu no kagiri

Shura    ima, chinmoku
Chindou    ten·jindou mitsumetsutsu
Shura    ima, arishi
Ten no hate arishi nara

Minikusa “saraba”
Chishio ni toke
Jouki no gotoku
Mata tsumetaku

Shura wa hitori nari
Hitori to wa orishi kyomu

Shura Hotaru no you ni aojiroku sukete
Imawa no kiwa ni tatsu

Shura    ima, ikan
Arashi    Shirokko    maku naka
Shura    ima, kirameku
Seiza    seiun    tategami ni

Osoreri “saraba”
Ochikochi ni
Kodama kamen
Ware wo kata tsukuru

Shura    ima, seijaku
Kouei    kenryoku    mina hoshi nari
Shura    ima, henshinsu
Raimei    inadzuma    daiankoku

Kanashiki “saraba”
Eien wo mo
Tsureai ni shite
Tera wo shinzou ni

Shura wa hoshi nari
Hoshi to wa minamoto nari

Shura Maboroshi atete, ikuseiki wo tsutsumi
Chikara no koa · Korona

Shura    Amanogawa
Shura    Andoromeda
Shura    Orion
Shura    Kashiopea
Shura    Kuryuugaa
Shura    Sefeusu
Shura    Shiriusu
Shura    Sonburero
Shura    Majeran

“Shura    ima, Chandorasekaaru no genkai”
“Shura    ima, Chandorasekaaru no genkai”
“Shura    ima, Chandorasekaaru no genkai”

Carnage:
The Body Constellation of the Alpha Psi Zeta Nebula

Track 11 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Carnage: now, burn
In the hand’s foot’s palpitation!
Carnage: now, hotly
Unknowing of the end as it is

Dark “fare-thee-well”,
Undressing silhouettes
Breathing in raging darkness
The limits of empty space

Carnage: now, silence
Tremors,while fixing the eyes on the heavenly sidewalk
Carnage: now, antiquity
If the ends of the heavens is antiquity

Hideous “fare-thee-well”,
Dissolve in blood
Like steam,
Again, coldly

Carnage becomes solitary
“Solitude” is just then nothingness

Carnage: Like a firefly, be pallid and transparent!
Establishing an abominable brink

Carnage: now, live
Storm Sirocco winding about
Carnage: now, gleaming
In the constellation nebula’s mane

Fearful “fare-thee-well”
Around here and there
Kodama mask
Body creating the self

Carnage: now, a hush
Honor, authority, becoming everyone’s star
Carnage: now, transforming
Thunder, uncanny flash of lightning, vast darkness

Tragic “fare-thee-well”
As eternity
Become one’s spouse
Terra, into nerves

Carnage becomes a star,
The star becomes the origin of life

Carnage: Apply illusions, bundling up many eras
The core of power: Corona

Carnage: Milky Way
Carnage: Andromeda
Carnage: Orion
Carnage: Cassiopeia
Carnage: Krueger
Carnage: Cepheus
Carnage: Sirius
Carnage: Sombrero
Carnage: Magellan

“Carnage: Now, the Chandrasekhar limit!”
“Carnage: Now, the Chandrasekhar limit!”
“Carnage: Now, the Chandrasekhar limit!”

Warera Mizukara wo
Suteta Da Tenshi Nari

Track 12 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés:Ayu Ohseki

“Warera senaka ni hane no ato no aru
Kimagure tenshi nari”

Hito no ko to
Omou yue koso
Kito no ko no na wo nanori
Kito no ko to
Omou yue koso
Kito no ko no sekai ni todomarite
Nazo tetsuku chie ni ware wa ware wo wasurete-kita

Tenkai no ichizoku ni
Seinaru tsubasa, kiriwatashi
Ten yori tsuichishi, reimei no ko
Ware wa kimagure de ikiru mono

“Ware no minarazu hito wa mina
Mizukara wo suteta da tenshi nari”

Serapimu Kerubimu Torone
Shuken chikara nouryoku

“Ware no minarazu hito wa mina
Mizukara wo suteta da tenshi nari”

Sukora no jidai no kurayami ni
Hibiki-watatta
Tenshi-teki hakase Dokutoru Angerikusu
«Tomasu Akuinasu no Sho» mo ima ya fuzai
Unari sakenda
Shitenshi hakase Dokutoru Serapikusu
«Bonaventura no Tenshi no Ron»
mo guuguuguu...

“Ware no minarazu hito wa mina
Mizukara wo suteta da tenshi nari”

Seisho Izaya Ezekieru
Mooze Soromon Kyuuyaku jidai

“Ware wa watashi Asshiria
Sarugon oukyuu Kanakeribu oukyuu no chouzou
Shikari ni hyoushiki tootemupooru
Shinpi fushigi seiseitai
Shikaru ni ware wa watashi da tenshi”

Yottsu no tsubasa yottsu no hishou
Mandorura shugo-naru kimi
Yottsu no atama wa
Chuushin matai (ningen)
Migiri no yohane (washi)
Hidari no maruko (shishi)
Kuda no ruka (o’ushi)
Sarani, warera wa yottsu no sharin motsu

Aa, umare kara yue boukyou nashi
Aa, soshite,
Sono keishiki wa
Hatenaru mukashi kara
Tenshi-teki na shikou no uchi ni aru
Shizukanaru meisou nari

We Discarded the Self,
Thus Becoming Fallen Angels

Track 12 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

“We have impressions of wings on our backs
Becoming capricious angels”

A manchild, made
For emotiating!
Calling the manchild’s name
A manchild, made
For emotiating!
Stop in the manchild’s world!
Withdrawing mystery, I wisely forgot myself

Holy wings in
Heaven’s dependents, sheared ferry
Falling from the heavens, child of the dawn
I am a capriciously-living organism

“My being who follows not the examples of others
Discarded the self, thus becoming a fallen angel”

Seraphim, Cherubim, Throne
Sovereignty, power, ability

“My being who follows not the examples of others
Discarded the self, thus becoming a fallen angel”

In the darkness of the Scora era,
Resonation wandering,
The Angelic Doctor Dr. Angelix and
«Thomas Aquinas’s Letter» now, too, are absent
A howling scream,
Blazing angel professor Doctor Seraphix and
«Bonaventura’s Discourse on Angels»
also temporarily reside there...

“My being who follows not the examples of others
Discarded the self, thus becoming a fallen angel”

Bible, Isaiah, Ezekiel,
Moses, Solomon, Old Testament era

“I am myself, Assyria
Sargon Castle and Canakeliv Castle’s graven image
Nevertheless, a landmark totem pole
Arcane and clandestine holy vow body
Nevertheless, I am myself, a fallen angel”

Four wings, four flights,
Mandalah, the protective you
The four heads are:
Central Matthew (human),
Righthand John (eagle),
Leftist Mark (lion),
Descending Luke (bull)
Moreover, we possess four wheels

Ah, without nostalgia for the born vacuum
Ah, and then,
That form is
From the ephemeral antiquity
Amidst angelic contemplation,
Becoming peaceful meditation...

Yomigaere! Mukyuu no Rekishi “Chuusei” yo

Track 13 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Sonzai souzou
Fushigi na kairaku
Haguruma souchi

Seinaru dekadan
Mikan no rekishi
Shoubin souchi

Eien-naru kiseki no sore wo shinji
Eikyuu-naru kami wo kokoromita
Aa, mukyuu no rekishi “chuusei” yo
Ware ni yomigaere

Seimei zoushutsu
Renkin doushi
Kitai souchi

Tsukareta jinbutsu
Ereki majutsushi
Inazuma souchi

Himetaru akuma no kodou ni toki wo uchi
Hyakugenkoto no
Makyokukou wo naze ni kanaderu ka
Aa, mukyuu no rekishi “chuusei” yo
Ware ni yomigaere

Watashi no subete “chuusei” ni shite
Sukora chuushou
Watashi no subete “chuusei” ni shite
Mahi-suru shisou
Watashi no subete “chuusei” ni shite
Fukitsu yogen sho
Watashi no subete “chuusei” ni shite
Seishin mahou jin

Kinzoku taiji
Seinaru jikken
Mirai no ivu
Ki no jouryuuki
Fuhai seido
Haichokurabin

Watashi no subete “chuusei” ni shite
Kyoki to gumai
Watashi no subete “chuusei” ni shite
Sensei-igaku
Watashi no subete “chuusei” ni shite
Uwagoto shijutsu
Watashi no subete “chuusei” ni shite
Kougaku kaidokuzai

Kyougaku jikken
Kutsuu jikken
Zankoku jikken
Monzetsu jikken

Shouen jikken
Gankyuu jikken
Kokusaku jikken
Sanzetsu jikken

Kanshaku rekishi
Shirome rekishi
Tenkan rekishi
Keiren rekishi

Fuukyou rekishi
Ukketsu rekishi
Wainiku rekishi
Zoushoku rekishi

Aa, yomigaere
Mukyuu no rekishi “chuusei” yo
“Waga tamashii
Waga seishin
Waga nikutai ni”

Aa, yomigaere
Mukyuu no rekishi “chuusei” yo
“Waga gankyuu ni
Waga ryou no te ni
Waga chi to iki ni”

Yomigaere! Mukyuu no
Yomigaere! Rekishi-naru
Yomigaere! Yomigaere!
“Chuusei”, sono subete no toki yo!
Heya yo! Irui yo!

Revive! Immortal History, the “Middle Ages”

Track 13 de Utinam Reviviscat Medium Aevum!
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan Engeki Jikkenshitsu “Ban'yuu-Inryoku”

Autor de romanización y traducción al inglés: Ayu Ohseki

Existence creation
Mysterious pleasure
Cogwheel apparatus

Holy decadent
Unfinished history
Saltpeter bottle apparatus

I believe in them, the eternal miracles
I attempted the eternal god
Ah, the immortal history “Middle Ages,”
Revive within me!

Soul manufacturing
Tempered-steel ronin
Vaporous apparatus

Once-possessed human being
Electricity sorcerer
Lightning apparatus

Entering the time in a concealed demon’s palpitation,
Why does the stanza of magical music
Of one hundred harp-strings play?
Ah, the immortal history “Middle Ages,”
Revive within me!

Everything about me, be the “Middle Ages”!
Scora abstraction
Everything about me, be the “Middle Ages”!
Paralyzing thought
Everything about me, be the “Middle Ages”!
Book of inauspicious prognostication
Everything about me, be the “Middle Ages”!
Mental magic battle array

Metal fetus
Holy experiment
The future eve
A still of chi
Decayed and full of life
Embryonic storage cellar bottle

Everything about me, be the “Middle Ages”!
Insanity and stupidity
Everything about me, be the “Middle Ages”!
Medicinal astrology
Everything about me, be the “Middle Ages”!
Deliriously spoken necromancy
Everything about me, be the “Middle Ages”!
Optics antidote

Shock experiment
Agony experiment
Cruelty experiment
Convulsion experiment

Gunpowder smoke experiment
Eyeball experiment
Carved constriction experiment
Great cruelty experiment

Passionate history
Whites-of-their-eyes history
Epileptic history
Scarred history

Insanity history
Blood congestion history
Warped flesh history
Digestion history

Ah, revive!
Immortal history, the “Middle Ages”
“In my soul,
In my mind,
In my body!”

Ah, revive!
Immortal history, the “Middle Ages”
“In my eyes,
In both my hands,
In my blood and breath!”

Revive! Immortal
Revive! Historical
Revive! Revive!
“Middle Ages”, o time of that everything!
O, room! O, clothes!

Toki ni Ai wa (Full version)

Track 7 de Adolescence Rush
Track 1 de Toki ni Ai wa Maxi Single
Música y Arreglos: Toshiro Yabuki
Letra, Voz & Coros: Masami Okui

This rose is our destiny hiki sakare
futari no te wa hanarete ita
Nemuru toki mo anata e no yume idakinagara
Todoke! sekai no hate made

Toki ni ai wa tsuyoku hito no kokoro wo
kizutsuke mo suru keredo
Yume wo atae yuuki no naka ni
itsu mo hikari kagayaki hanatsu
Hitotsu no chikara ni...

This rose is our destiny michibikare
futari wa ima mou ichido deau
Donna toki mo ano yakusoku
Wasurenaide yatto koko made kita yo

Toki ni ai kedakaku hito no kokoro wo
tsuranuku you ni motome
mamoru mono ni mamorareru mono
itsu mo hikari kagayaki hanatsu
Hitotsu no chikara ni

Toki ni ai wa tsuyoku hito no kokoro wo
kizutsuke mo suru keredo
yume wo atae yuuki no naka ni itsu mo hikari kagayaite

Ai wa tsuyoku hito no kokoro wo ugokashite iku dakara
futari de iru kitto
sekai wo kaeru tame ni
soshite subete wa hitotsu no chikara ni naru

At times, Love... (Full version)

Track 7 de Adolescence Rush
Track 1 de Toki ni Ai wa Maxi Single
Música y Arreglos: Toshiro Yabuki
Letra, Voz & Coros: Masami Okui

This rose is our destiny being torn apart
our hands were slowly separating
Even when I'm sleeping holding to my dreams for you
Carry on! until the ends of the world

At times love can hurt people's hearts severely,
too, but giving us
our dreams within courage it is always spreading,
shining light
becoming one power...

This rose is our destiny being lead on
the two of us will now meet again
No matter what the time Never forgetting
that promise I've at last come this far

At times love demands that people's hears endure nobly,
A person being guarded
by a guarding person are always spreading,
shining light
becoming one power...

At times love can hurt people's hearts severely too,
but giving us our dreams within courage,
always shining light

Love goes on, moving people's hearts strongly
Therefore we are the two of us
for the sake of changing the world,
for sure and thus everything will become one power

Toki ni Ai wa (Movie version)

Edit version played in Adolescence Mokushiroku.
Música y Arreglos: Toshiro Yabuki
Letra, Voz & Coros: Masami Okui

This rose is our destiny michibikare
futari wa ima mou ichido deau
Donna toki mo ano yakusoku
Wasurenaide yatto koko made kita yo

Toki ni ai wa tsuyoku hito no kokoro wo
kizutsuke mo suru keredo
yume wo atae yuuki no naka ni itsu mo hikari kagayaite

Ai wa tsuyoku hito no kokoro wo ugokashite iku dakara
futari de iru kitto
sekai wo kaeru tame ni
soshite subete wa hitotsu no chikara ni naru

Ra ra ra...

At times, Love... (Movie version)

Edit version played in Adolescence Mokushiroku.
Música y Arreglos: Toshiro Yabuki
Letra, Voz & Coros: Masami Okui

This rose is our destiny being lead on
the two of us will now meet again
No matter what the time Never forgetting
that promise I've at last come this far

At times love can hurt people's hearts severely too,
but giving us our dreams within courage,
always shining light

Love goes on, moving people's hearts strongly
Therefore we are the two of us
for the sake of changing the world,
for sure and thus everything will become one power

La la la...

Rinbu Revolution ~ Adolescence Rush

Track 13 de Adolescence Mokushiroku
Música: Toshiro Yabuki
Letra, Voz & Coros: Masami Okui
Arreglos: Shinkichi Mitsumune

Isagiyoku Kakkoyoku Ikite Ikou..
Tatoe Futari Hanarebanare ni Natte mo...
Take my revolution

Hikaru Sasu Garden, Te wo Toriai
Chikaiatta Nagusameatta
Mou Koi wa Nido to Shinai yo tte

Hoho wo Yoseatte Utsuru Shashin no
Egao ni Sukoshi no Sabishisa
Tsumekonde

Yume wo Mite Namida Shite
Kizutsuite mo Genjitsu wa
Gamushara ni Kuru shi
Jibun no Ibasho Sonzai kachi wo
Mitsuketai Kyou made no Jibun wo

Isagiyoku Nugisuteru Hadaka ni naru
Jiyuu wo Mau Bara no Youni
Tatoe Futari Hanarebanare ni Natte
mo Watashi wa Sekai wo Kaeru...

Is a revolution... an evolution... yeah yeah...

Round Dance Revolution ~ Adolescence Rush

Track 13 de Adolescence Mokushiroku
Música: Toshiro Yabuki
Letra, Voz & Coros: Masami Okui
Arreglos: Shinkichi Mitsumune

I'll go on living bravely and heroically
Even if I have to separate the two
of us... Take my revolution

In the sunny garden, hand in hand,
we consoled each other and swore
that we would never fall in love again

Into a picture of us smiling cheek to cheek
I crammed a little bit of my
loneliness

Dreaming, crying,
and getting hurt,
but reality is still coming over and over.
I can't lose my seat and the value
of my existence, which was me until today.

I will shed my clothes and strip
myself bravely, like roses whirling in freedom
Even if I have to separate the two
of us, I will change the world...

Is a revolution... an evolution... yeah yeah...

Bara no Rashin ~ Shura
- Nikutai Seiza Alpha Psi Zeta Seiun -

Track 9 de Adolescence Rush
Compuesto por: J.A.Seazer
Coros: Tokyo Konsei Gasshodan, Suginami Jidou Gasshoudan & Maki Kamiya
Arreglos: Shinkichi Mitsumune

Autor de romanización y traducción al inglés: Ayu Ohseki

Shura ima, moen
Te no ashi no kodou ni
Shura ima, atsuku
Owari shiranu, mama ni

Kuraki “saraba”
Utsushimi nugi
Kouyami ni fuki
Kokuu no kagiri

Shura    ima, chinmoku
Chindou    ten·jindou mitsumetsutsu
Shura    ima, arishi
Ten no hate arishi nara

Minikusa “saraba”
Chishio ni toke
Jouki no gotoku
Mata tsumetaku

Shura wa hitori nari
Hitori to wa orishi kyomu

Shura Hotaru no you ni aojiroku sukete
Imawa no kiwa ni tatsu

Shura    ima, seijaku
Kouei    kenryoku    mina hoshi nari
Shura    ima, henshinsu
Raimei    inadzuma    daiankoku

Kanashiki “saraba”
Eien wo mo
Tsureai ni shite
Tera wo shinzou ni

Shura wa hoshi nari
Hoshi to wa minamoto nari

Shura Maboroshi atete, ikuseiki wo tsutsumi
Chikara no koa · Korona

mm mm mm...

Rose ~ Carnage:
The Body Constellation of the Alpha Psi Zeta Nebula